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February 27, 2006

I am so grateful for bookslut, which is I will admit the only blog I seem to read regularly--grateful not just to the blog but to the girl. So somehow it was better to hear the sad news that Octavia Butler has died through Michael and Jessa, but I'm still kind of bowled over by sadness. From the Seattle Post-Intelligencer:

Butler's most popular work is "Kindred," a time-travel novel in which a black woman from 1976 Southern California is transported back to the violent days of slavery before the Civil War. The 1979 novel became a popular staple of school and college courses and now has more than a quarter million copies in print, but its birth was agonizing, like so much in Butler's solitary life.

"Kindred" was repeatedly rejected by publishers, many of whom could not understand how a science fiction novel could be set on a plantation in the antebellum South. Butler stuck to her social justice vision - "I think people really need to think what it's like to have all of society arrayed against you" - and finally found a publisher who paid her a $5,000 advance for "Kindred."

"I was living on my writing," Butler said, "and you could live on $5,000 back then. You could live, but not well. I got along by buying food I didn't really like but was nourishing: beans, potatoes. A 10-pound sack of potatoes lasts a long time."

Buying sacks of fucking potatoes to get those books written! The profanity of the publishing industry is something that I am mostly inured to at this point--I have tricks up my sleeve to get through it and not be furious and to make my own life happy and try to boost writing that I believe in, whether it is the writing of these gorgeous beings who are my students or of all the other women writers who are doing something substantive, courageous, ancient, forward-moving while dealing with the sacks-of-potatoes difficulties of just having a basic normal life while this art you can't quite get away from has you by the throat and demands that you deal with it.

I have my tricks, I have my solaces, I have my well of determination and hope, I have my people, I have my little pleasures and my little everyday moments to make sense of it and keep going. Usually, this works okay.

But some days it does get to you. Anyway, all I'm saying, is when a reporter called me last year to get me to talk shit about Jonathan Safran Foer's six million dollar mansion in Park Slope I told her, what do you want him to spend it on? Accessories at Claire's Boutiques? A binge in Vegas?

But the profanity of that imbalance between the Brooklyn mansion and the sacks of potatoes is getting through to me today. What are you gonna do. How much good can you will into the world? How long can you keep pushing, and when do you rest?

February 23, 2006

saved by the gong

Everything Margaret Cho is fascinating, right? They've re-released her mid-nineties sitcom All-American Girl on DVD. You know, the one that made her crash-diet, robbed her morally, spiritually, financially, and then sent her on a shame spiral? That one?

For a clip from the show and some smart commentary on why it's seeing the light of day check out Slate.

February 22, 2006

big thank you

We had so much fun on Tuesday--a big thank you to everyone who came out & to Myla, Jessa, and the CBS news folks who taped. And a big big thank you to Anne Ishii who managed to make the whole thing go smoothly even though she was being her jet-setter goddess self on a trip to Japan. She's back now so we can all collectively sigh with relief.

I have the flu (predictably) so I'm down for the count for a few days, but Emberly is getting some lovely book recommendations ready for you for the March book club.

February 21, 2006

TONIGHT: MYLA GOLDBERG, JESSA CRISPIN AT GRACE--7pm, Mo Pitkins

Hosted by Jessa Crispin of bookslut.com, Myla Goldberg, author of Bee Season and Wickett's Remedy reads with Elizabeth Merrick. Don't miss this one!

7pm, TONIGHT Tuesday 2/21, at Mo Pitkins (34 Avenue A between 3d & 4th)

February 17, 2006

I can't wait to check out music critic Karen Schoemer's new book, Great Pretenders: My Strange Love Affair with '50s Pop Music. It's new from Free Press which is the major contender as the imprint I most trust to produce thoughtful & substantive work by women in the midst of our trashy trashy sexist & insipid cultural landscape.

From the lovely review at roundheadedboy:

As Schoemer criss-crosses the country to track down these forgotten American idols, she also finds herself questioning the whole male-centric view of rock criticism and what is acceptable music and what is not. She comes to a realization that cheesy pop music need not be a guilty pleasure. As Schoemer writes, it is intensely freeing to think for yourself and enjoy the music that moves you, no matter what the rock-ocracy has to say.

By doing this, she starts to realize:

1. That women, especially screaming teen girls, have determined the great idols of music from Elvis to the Beatles on down, but men get to write the histories.

2. That rock history is the only "history" that is written by critics, and not accountable to verifiable facts, such as popularity and chart success, but instead is determined by subjective opinions of what the club of critics thinks is worthy. (Sort of like that other hairy-chested conclave, the Baseball Hall of Fame.) This is interesting stuff.

Schoemer writes with a honest, startling clarity as she begins to understand that despite her outwardly feminist trappings and love of avant-garde, punk music, she has been repressed for decades, especially sexually, by her mother's fears. She is afraid to openly express her romantic ardor for '50s music because that is unacceptable to the rock/journalism establishment.

February 14, 2006

where the girls aren't

Underbalanced representation for women in the cartoon world. Seems a majority of our cute G-rated clown fish, toy cowboys, and those adorably headed-for-plush lions are little dudes.

They studied the 101 top-grossing G-rated films released between 1990 and 2005, analyzing 4,249 speaking characters. They discovered that more than two out of three of those characters were male and that the female characters were much less likely to be central to the narrative.

My totally other favorite bit is where female cartoons only make up 17% of the crowd scenes. It's too rich! Too too! Happy Valentine's Day!

(Thanks to Anne Ishii for the link.)

February 08, 2006

remedial math for the movies

I have been flying a lot lately and you know when the pilot comes over the intercom and tells you all lazily reassuringly at what altitude you are flying and that you can unhook your seat belt (at your own risk) and feel free to move about the cabin? Well, why is that voice never a woman's? Why have I never in m'whole life had a female pilot?

And then I come back down to earth.

Looks like the Guerrilla Girls are on the stick once again, doing some of the old remedial math, but this time on the movies. According to feministing.com:

Women directed only 7 percent of the top 200 films of 2005. No woman has ever won the Oscar for best director. And only three have been nominated.

In collaboration with MoviesByWomen.com, the Guerrilla Girls bought a billboard space in Los Angeles down the street from the Kodak theater (where the Oscars take place) to, um, point this little, teensy-weensy discrepency out.

February 02, 2006

save the date

Please come to a NYC reading by Sara Gran of her new book, Dope. Books, wine, cheese, and all kinds of other good stuff available. Elizabeth and I can't come as we are both in undisclosed locations feverishly working/working feverishly, but we exhort you of a Tuesday to go see this wonderful woman! Who doesn't need a little 50s noir to start off the stubby little month of February?


Tuesday, February 7, 2006, 7:00 PM
Partners & Crime Books
44 Greenwich Ave, NYC
(212) 243-0440
crimepays.com